Ego and Self are good together

Anne Hamrin Simonsson: Representations of micro-life (photo Ellington)

Why does a person spend one and a half hours trying to make 90 people –  artists, filmmakers and businesspeople – understand what creativity is? Why do we need to know? Is there no better way to spend our time than delving in speculations about a phenomenon that’s as difficult to know and define as creativity?

(Läs inlägget på svenska)

Bengt Renander did this at Västsvenska Filmdagarna on October 13, 2017. And I liked him for doing it. Bengt is known as a coach for change and development in people’s careers and lives, and creativity is one of his main tools for this. So, as I would think, knowing the fine details of one’s tools is as crucial for those of us, working with art and business, as it is for someone working with jet engines, or digital software.

Instructions for using a new tool have to be accurate and precise. However, Bengt Renander’s descriptions of creativity, clarifying as they were, still lacked in precision at one important point.

One of the most important things to know about creativity is how to activate it. I’ll give you a short description of Bengt’s model of creativity. I’ll then show you where it failed as I see it. This will also indicate a way of activating your creativity – a way that works.

ego and self 2
Wild horses. Marie Juslin (photo Ellington)

In Bengt Renander’s model of creativity, the mind consists of two main and opposing powers. The Ego and the Self. It is important to know what these concepts mean if you want understand how to use them. Renander’s model is accurate so far. The Ego, he says, is the part of your mind that strives for you to be normal. The Ego makes you think about performing and achieving properly, and it wants you to focus on making the right choices. It is full of fears of what other people might think and it is fearful of making mistakes. It fosters guilt about the past and anxiety about the future. When the Ego is in charge, Renander says, it is impossible for you to know what you really want.

In Renander’s model, the Self is the witness that registers what you do and who you are. The Self is complacent and calm. The Self induces you to know what you want, and in crisis, it always wants you to take a step back, distancing yourself from pain and fears, to see what the situation is like. And so far I don’t disagree with Renander. In saying this, he has lots of experience, practice and theory behind his back.

It is when he says that creativity resides in the Self that I disagree. It is only when you put the Self in charge, he says, that you can become who you are. And it is only when you let the Self reign that creativity can flourish.

Whatever Renander says to the contrary, this makes the Ego the negative force, like the evil power, somewhat like the devil. And the Self becomes the god of your mind, the plus power, the real you. Alright! He tries to say that the Ego is not really bad at all, but he never gets to the point where he could say that Ego and Self are two sides, equally important, of what is really you.

When you see that Self and Ego are equally important, you will understand that for creativity to occur, these two sides need to stop competing for power over you and your mind. They both have important qualities and capacities. Ego and Self need to come to peace, and when Ego and Self can work together, that’s when you are truly you, and that’s when creativity comes into being.

New ideas (photo Ellington)

I think it is important to know this. Then you can see that what you need to do is to have this inner conversation between the opposing powers of your mind. That’s your tool that you need to hone and shape by practice again and again. This tool – the inner dialogue – can bridge the gap between Ego and Self and put a lot of energy into play. That’s what is called flow and creativity.

Ellington

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Read Bengt Renander’s books (in Swedish)

Författare: Arletta Ellington

Vi är två personer – Arletta och Ellington. Här presenterar vi oss var för sig. Arletta först:
ARLETTA kallar jag mig och jag gillar det namnet. Det låter skoj, lätt och lekande, levande och lite kvittrande – sån som jag gärna är. Jag gillar att leka, även med livets mest seriösa saker. När jag var yngre valde jag ett lekfullt yrke, som teaterregissör. Jag har dessutom mött den andra, mörka, sidan av livet, som jag har distanserat mig från. Nu lever jag med fokus på det som är det bästa i livet och ger mig själv chansen att hitta de skönaste ögonblicken i det vardagliga. De värsta dagarna har passerat och det bästa i livet är det som jag väljer. Det vill jag beskriva och dela med mig av, så njuter vi tillsammans …
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Jag kallar mig ELLINGTON, ett namn jag förknippar med musik och kreativitet. Duke Ellington, jazzlegenden representerar livsbejkande njutning och eftersom jag titulerade Arletta hertiginna i mitt första brev till henne, så tänker jag mig som hennes hertig ( = duke) på denna bloggen. Jag leker gärna seriöst – som till exempel litteraturforskning – vilket jag ägnade en del av mitt yrkesliv åt. För mig syns livets ljusa sidor tydligast i kontrast mot de mörka. Jag låter livets skönhet fånga mig när det far förbi. Och om jag lyckas när jag skriver – ja, då har jag kanske synliggjort det sköna.

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